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・ String Quartet No. 2
・ String Quartet No. 2 (Babbitt)
・ String Quartet No. 2 (Bartók)
・ String Quartet No. 2 (Beethoven)
・ String Quartet No. 2 (Borodin)
・ String Quartet No. 2 (Carter)
・ String Quartet No. 2 (Dvořák)
・ String Quartet No. 2 (Glass)
・ String Quartet No. 2 (Haas)
・ String Quartet No. 2 (Janáček)
・ String Quartet No. 2 (Kernis)
・ String Quartet No. 2 (Ligeti)
・ String Quartet No. 2 (Mendelssohn)
・ String Quartet No. 2 (Nielsen)
・ String Quartet No. 2 (Piston)
String Quartet No. 2 (Prokofiev)
・ String Quartet No. 2 (Rouse)
・ String Quartet No. 2 (Schubert)
・ String Quartet No. 2 (Shostakovich)
・ String Quartet No. 2 (Smetana)
・ String Quartet No. 2 (Tchaikovsky)
・ String Quartet No. 20 (Mozart)
・ String Quartet No. 21 (Mozart)
・ String Quartet No. 22 (Mozart)
・ String Quartet No. 23 (Mozart)
・ String Quartet No. 3
・ String Quartet No. 3 (Babbitt)
・ String Quartet No. 3 (Bacewicz)
・ String Quartet No. 3 (Bartók)
・ String Quartet No. 3 (Beethoven)


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String Quartet No. 2 (Prokofiev) : ウィキペディア英語版
String Quartet No. 2 (Prokofiev)
Sergei Prokofiev's String Quartet No. 2 in F Major, Op. 92 (1941) was first performed by the Beethoven Quartet in Moscow on 7 April 1942. A later concert in Moscow, on 5 September 1942, was delayed by a Nazi air raid and started late. Prokofiev thought it "an extremely turbulent success." The string quartet, lasting for 20–25 minutes, is in three movements.
==Background==
Prokofiev, along with other Soviet artists, was evacuated from the major cities when the Nazis broke their non-aggression pact and invaded the Soviet Union in 1941. On August 8, 1941, Prokofiev traveled to Nalchik with other artists, among them his friend, musician Nikolai Myaskovsky, actors, such as Anton Chekhov's widow, and others. Prokofiev stayed in the town of Nalchik, the provincial capital of the Kabardino-Balkar Autonomous SSR, in the North Caucasus, about 900 miles south of Moscow (bordered by the European Russia, Turkey, and the Black and Caspian Seas). During this stay, Prokofiev was told by a government official to write a quartet using Kabardino-Balkar folk themes〔Baron, John H. (1998). , p. 401〕 and wrote this string quartet, with themes based on folk tunes, rhythms and textures.
This quartet, along with the first, has entered the repertory of many string quartets.

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